Abstract
The guiding principle of the 1997 Handover of Hong Kong was stability. The city’s status quo is guaranteed by Article 5 of the Basic Law, which stipulates the continued operation of economic and political systems for fifty years after the transition from British to Chinese sovereignty. Since the Handover, the Standing Committee of the National People’s Congress (NPCSC) have imposed purposive interpretations on the Basic Law that restrict Hongkongers’ civil participation in local politics. Some official documents of Hong Kong, such as court judgments and public statements, show how the Hong Kong government avails itself to perpetuate such discursive violence through manipulating a linguistic vacuum left by translation issues in legal concepts and their cultural connotations in Chinese and English languages.
Twenty years after the Handover, the promise of stability and prosperity in fifty years of unchangedness exists in name only. Highlighting this connection, this article exemplifies the fast-disappearing space for the freedom of expression and for the nominal status quo using the ephemeral appearance of a light installation, Our 60-Second Friendship Begins Now. Embedding the artwork into the skyline of Hong Kong, the artists of this installation adopted the administration’s re-interpretation strategy and articulated their own projection of Hong Kong’s bleak political future through the motif of a countdown device. This article explicates how Hongkongers are compelled to explore alternative spaces to articulate counter-discourses that bring the critical situation of Hong Kong in sight. The artwork also sheds light on two levels of dimensional shift in Hongkongers’ struggle for democracy—namely, the exploration of alternative discursive space, as well as the efforts to retain “Hong Kong” in the discourse of global politics.
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